MoMA pulled out all the stops for its exhibition: “Matisse: The Cut-Outs.” And rightly so. Before reaching these shores, the exhibition had been at the Tate in London whereit drew 500,000 visitors, making it the museum’s most popular show ever. With high expectations, I step off the escalator on the sixth floor to find -- good news-- there's no line.  A ticket-taker waves me in, warning me that taking photographs is strictly prohibited. This is when I learn that MoMA has a selection of on-line images available to journalists and bloggers with permission.

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